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Urban Lit is DEAD!

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Urban Lit is DEAD! by Joey Pinkney

Yep, I said it… Urban Lit is dead. Done. Finito.

Flatline…

Who am I to say that? I don’t have the same status in the Urban Lit industry as Nas has when he said the same thing for his music. I don’t have to. I read a lot of Urban Lit, and it’s dead.

Why do I speak such blasphemous words? This sentiment stems from an email conversation I had with Therone Shellman after reading and reviewing his novel No Love Lost. (Read my review of No Love Lost, click here.) His novel was atypical and his approach to life after the streets was refreshing. Another one that comes to mind is Erick Gray’s Crave All Lose All. (Read my review of Crave All Lose All, click here. Read my interview with Erick Gray. Part I, click here. Part II, click here.)

In brief, we discussed how Urban Lit doesn’t do justice to the situations that people are relegated to in hoods across America and beyond. The immorality and reality of the streets isn’t present in a lot of stories on the market today. Without going into detail, that book was the first one that I read in a long time that actually shined the light on the side of the game that most people see but few want to talk about.

Call the Coroner…

The Urban Lit genre is pumping out books with the same book covers and the same stories. Most of the authors have to boast their jail experience to get the attention and respect they think they need to sell their stories. (Sounds like rappers who have to talk about their hood exploits in order to be respected, instead of being lyrically proficient.)

The Urban Literature landscape is taking the natural life cycle of all cultural trends. It’s just like Hip-Hop, born from desolation and neglect. Just like the Hip-Hop that influenced its current direction, Urban Lit has gone from being an obscurity to being shunned to being assimilated into popular culture. That’s why the larger publishing houses are following suit and creating imprints to cater to ravenous readership that Urban Lit definitely has. That’s why you can go to Barnes and Nobles or Borders or even Wal-Mart and see the latest and greatest in the (unofficial) Urban Lit section. It’s selling.

Before it got it’s name, authors like Omar Tyree (who recently stopped writing Urban Lit), Sistah Souljah and Teri Woods wrote books that spoke to a group of people who couldn’t get the time of day from the larger publishing houses. The prevalent thought at the time was that “those people” don’t read. Urban Lit has now been digested and regurgitated by the large publishing houses just like Master P did to rap music during his hey day. And just like his albums covers, words are blinged out, the men look mean and the women look horny.

From the Cradle…

With a “for us, by us” mentality, what would later become Urban Literature was strictly a person-to-person enterprise. Authors were printing up there own books and selling them out the trunk, on the corner, mom-and-pop stores and beauty salons. Full of sex, violence and grammatical errors, these books and the readers who loved them were looked down upon by the mainstream book industry.

Then the book industry got hip. “Those people” were buying those books terrible books. “Those people” were requesting sequels and anything else their favorite hood author put out there. Why? Because those books were entertaining, but they also had an underlining message. Readers could relate.

Fast forward a couple of decades. Now every book cover either has a young black dude with braids, two ear rings, tattoos, sagging jeans and a mean mug or the book has a young female in her early twenties wearing something that makes it easy to figure out what the birthday suit is like. The stories are still about the hood, but nowadays there is a twist. The money, clothes, hos, jewelry, expensive cars, huge houses and the swagger runs the stories.

Urban Lit authors still have to get on their grind, print up the copies and sell them by any means necessary. The difference now is that they have to compete for shelf space with the larger publishing houses. A lot of times, they have to compromise the integrity of their story to fit what the readers will buy. It’s no longer a novelty to have a book with the hood as the backdrop.

To the Grave…

The immorality and reality of the streets isn’t present in a lot of stories. This article actually stemmed from an email conversation I had with Therone Shellman, author of No Love Lost. Without going into detail, that book was the first one that I read in a long time that actually shined the light on the ___ side of the game. (Another one that comes to mind is Erick Gray’s ___.) Shellman is a person is has been there and done that, and it shows in his approach to his story.

A lot of people complain that most of the Urban Lit books are the same three or four stories with a different title and character names. For that matter, most of the authors have the same felonious background story in their bios. It’s just like Hip-Hop nowadays. You could take a black male between 16 and 36 (because you know we stay young looking for a while) and give him a grill, some tatoos, a fitted, a throwback (or white tee), some sagging jeans (and boxers), a gold necklace with some goofy pendant, a diamond encrusted watch, and some Air Force Ones. Then put him in front of a mansion with a couple of Lambourghinis and Escalades with a buch of women in their early 20s in bikinis. Throw on some music, let him pose and point around aimlessly showing off that goofy pendant. Oh yeah, I almost forgot let him rap…

That’s similar to what you see in Urban Lit. Most Urban Lit books has the guy that’s a drug dealer with all the name brand clothes and cars. He has enough jewelry to finance a small army. The problem is that that guy gets robbed and/or killed in real life.  A perfect example is all of these rappers getting their chain snatched left and right. They talk all that stuff on the albums and still get robbed when they leave the studio. Where are the guns? Where are your boys?

On top of the hood watching you, the cops are watching harder. Most of the dudes that make it to BET’s American Gangster get an episode because of one big mistake, being too flashy. Make a solid gold crown if you want, the cops will do everything they can to take that and everything else, including your life.

Eulogy…

I understand what’s going on. People don’t read Urban Lit to get the scoop on reality. Like my girl Davida Baldwin said it, “You don’t read Street Lit for self-help and motivation, you don’t read street lit to help out the community, you read it for entertainment.”  If you put the average thug n!gga or hoodrat on the book cover, it wouldn’t sell. It would probably make it hard to sell the book right next to it, too. (LOL!) If it takes a model on the cover to get noticed, then sex has sold again. To be honest, authors don’t spend months and years to write a book for it to sit in a book store. They write it to hopefully put money in their pockets.

The larger publishing houses are in the game to sell units. If you like it, they love it. Business is business, but we the readers should expect more from Urban Lit authors.

Leave a comment and let me know how you feel.

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5 Minutes, 5 Questions With… Joseph Henderson, author of I Don’t Want to Die Alone

JoeyPinkney.com Exclusive Interview
5 Minutes, 5 Questions With…
Joseph Henderson, author of I Don’t Want to Die All Alone
(AuthorHouse)

joseph henderson headshot i dont want to die alone book cover

(click on the pictures to see reviews of this book on Amazon.com)

Joseph, the sixth child of nine children, describes a sad but shockingly true story of growing up on the streets at a young age. After a life filled with crime, drugs, money, cars, and women, Joe realizes that life and time is catching up to him. He shares with the readers his days of living in below zero temperatures in Michigan with no heat; nightly pit stops through ice and snow to raid the supermarket garbage dumpsters. He talk of feasting on goldfish, turtles, and mallard ducks from the neighborhood park pond.

Journey with Joe as he tells an all out, no holds barred tale of physical, mental, and sexual abuse. He tells of living in a household where discipline consisted of holding encyclopedias in each hand while balancing on one foot and whippings with electrical cords, brooms, two-by-fours, and garden hoses. After being shot on a street corner, later escaping a drive by shooting, then the subsequent brutal murder of his sixteen year old brother, feel the passion with Joe, as he explains several suicide attempts his family never knew about.

Feeling he would ‘die all alone,’ Joe makes a desperate and emotional attempt to apologize and ask forgiveness from family, friends, and foes that suffered during his reign of torment.

Joey Pinkney: Where did you get the idea and inspiration to write I Don’t Want to Die All Alone?

Joseph Henderson: This is an interesting question. I Don’t Want to Die All Alone was never meant to be a book. It was a college classmate that informed me I had a lot of interesting developments in my life and people need to know them. When I left Michigan and moved to Mississippi she asked if I would write a book. It never crossed my mind, and no promise was ever made.

After being in Mississippi for a while, by then my sister and mother had already moved there, I began to verbally ask questions about our upbringing. Members of my family would always say let the past stay in the past, or I was starting trouble bringing up old history. When that did not work, I began to write down thoughts for them to read. Sentences became paragraphs, and paragraphs became chapters. Before you knew it, the majority of my life was on hundreds of pages.

I let a pen pal from California read the rough draft. She was so inspired by it. It brought tears to her. Copies were given to my family. Because of the nature of the contents, they actually contemplated legal action. Before my family even read the book, they immediately said it was a book full of lies.

The rough draft stayed on the shelf for a while without getting published. My wife said the dream would not be complete until the rough draft is in book form. I told my family if they read it and find me telling one lie, the book would never be published. They read it, and needless to say, I Don’t Want to Die All Alone was born.

JP: This memoir has experiences that are tremendous gems of hope to the millions of children and young adults that get very little positive attention. What do you do to get this story in the hands of the people who can benefit from it?

JH: To get this into the hands of those it would benefit I would make this required reading. Have everyone from juvenile delinquents, prison inmates, parolees and felons to understand they also can be something in life. Give it to the ones that have not subscribed to gang or criminal activity but may be inclined to do so.

You can’t have the counselors and social workers that went to the finer schools in life to educate the youth and young adults that have been educated on the streets. Most guidance counselors and social workers have successful college educated parents. What can a social worker say to a gang member? Don’t be in one or you will go to jail. How can a counselor relate to a drug dealer?

Kids that grew up in gangs and the street life cannot understand what it’s like to have a two parent working or middle class family. They need someone that have been to the bottomless pit and have crawled out for kids to understand there’s hope.

JP: Gangs are known to be very possessive and families are notoriously secretive. Have you had any backlash from your family or the streets for opening your life to public discussion?

JH: This is a tough question. First of all, when you take your oath and pledge your allegiance, that gang becomes your new family. That’s how we are lured in and are taught to lure others into the gang.

They paint a picture of this vainglorious life of glamor to pit you against your family. When they see you are in a vulnerable state, they snatch you up and fill your head with fairy tales. Have you to believe your family members are the lowest of the low. Have you to believe your family does not care and could care less if you live or die. Telling you they will take care of you. Give you a place to stay, feed you, and if you go to jail they will get you out.

You believe all of this until the novelty wears off. Now you have to put in work. That could consist of being a look out while others do dirt. And after doing that for a while you could get promoted where you are now involved in handling illegal merchandise. This could go on for a day, a week, a month, or even years. The longer you are in the gang the more loyal you become to them.

OK, what if you want to get out? Now you are considered to be disloyal. You are called a sellout, a fake and untrustworthy even after all you have committed yourself to doing. And most of the time, you can’t just easily walk away. You allegiance and oath are considered to them to be lifetime, even if the chain of command changes.

Because of my rank in the gang life, I was one of the lucky ones to be ‘pardoned.’ When the backlash started, I left the state. The gang life is so possessive there are serious consequences and repercussions if you pursue to exit.

As for my immediate family, I face scrutiny all the time. I would not call what we have as secretive. This was and is a way for me to understand where I have been, to conclude where I am going. Only one family member has actually have been behind me since day one, but the others, I have to find myself defending what was written all the time.

JP: What would you say to that person who might not get to read I Don’t Want to Die All Alone but could benefit from your wisdom?

JH: If someone does not get a chance to read I Don’t Want to Die All Alone, I would tell them do not despair and give up hope. Always believe in yourself even when you feel no one else will. Whatever pitfalls and downfalls you experience in life, there’s always a way out of no way. When someone say to you, “You are nothing”, show them you are something. When someone say to you, “You will be nothing”, become something.

Even before this Yes We Can slogan became a household name, I was telling kids to say to themselves, “Yes I can, Yes I will, and Yes I did”. This is to show them they can do what they put their minds to. It keeps them motivated to believe they will continue their goals. It also has them to say they did it after each and every goal is completed.

JP: What’s next for Joseph Henderson?

JH: What’s next for me is to get everyone to read the book. But seriously, I really don’t know what’s next for me. Continue to help kids. They are reaching out, but many of us as adults do not have the heart to help them.

I will continue to promote I Don’t Want to Die All Alone to youth and young adults as well as anyone that needs to read an inspiring story. I guess I will still lecture on gang prevention and why not to get involved in drugs whether it is through use or selling. I will continue to educate on why education and knowledge is the cornerstone of success.

www.joseph-henderson.com
www.donotdiealone.com

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P.S.S. If you want to be feature in a 5 Minutes, 5 Questions With… series, email me at joey.pinkney@gmail.com or myspace.com/joeyreviews

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Kisha Green’s interview of Joey Pinkney for WritersVibe.com

Reprinted with permission by Kisha Green
Originally posted on: http://www.writersvibe.com/whogotnext.htm

Kisha Green: Who is Joey Pinkney?

Joey Pinkney: Joey Pinkney is a man on a mission. The mission changes and gets refined with the times. I’m currently looking to expose authors to people in a way that is not being done in a consistent manner. I’m also looking to write and publish the books that are begging to get out of my head.

My love for reading and writing will not allow me to live a regular life of working and sleeping. I have to apply a significant part of my “down time” to reading, writing, reviewing, interviewing, editing, myspacing (is that a word?), thinking and plenty of other i-n-gs to keep me sane.

KG: Three words to best describe yourself

JP: Introspective, obsessed and determined.

KG: When did you first start reviewing books?

JP: My first attempt at reviewing books was around July/August 2006. At the time, I was writing for a now defunct African-American weekly newspaper called The Urban Journal in Nashville, TN.

The publisher wanted me to be a type of journalist that hit the streets and cover things like school board meetings, crime scenes and various boring things that was happening around Nashville.

I couldn’t do just that. I pitched an idea to the publisher where I would review books by black authors. I think he allowed me to do it just to humor me. I contacted a bunch of publishers and authors. I read and reviewed the books I received. I had to beg and plead to get the reviews in the paper. He let a couple run in the paper, but he simply wasn’t interested in anything that didn’t happen in Nashville.

I stopped trying to get the publisher to work with me. I kept getting great books to read.

KG: Have you ever had to post a bad review? If so, how did you break the news to the author?

JP: Writing reviews for Urban Book Source allows you to tell the whole truth, straight up with no chaser. You can browse through my reviews to see the one I had to “keep it real” with. I tried to contact the author for a subsequent, but he (or she) never got back to me.

Luckily, I really haven’t had books to read that are poor in quality. It amazes me how many talented writers there are out there that don’t seem to get the light of day because that are self-published or published by one of the smaller houses.

KG: Who are some of your favorite authors?

JP: Moses Miller. The Trifling Times series he is taking the genre of Urban Fiction to new heights and levels. Keisha Ervin. I really like her book entitled Torn. It’s Urban Romance at its finest. I was recently impressed by Jessica Holter’s Verbal Penetration. That book will broaden your horizons as to what can be done in the Erotica genre.

KG: Tell us about your book How to Get Rid of Bacne Super Fast ?

JP: This is really an ebook. It’s only in PDF format. It’s very simple in format: 10 chapters, 10 questions, 10 answers. I tried to pull together the information that’s hiding and spread out all over the place and bring together in a short, easy to read book.

KG: What made you write a book about Bacne?

JP: That’s a weird subject, right? The idea for this book came from my website, JoeyPinkney.com. Before focusing on the book industry, I was publishing a bunch of articles on almost everything. Acne prevention was one of the subject I covered. I noticed that the information concerning bacne drew a lot of attention.

I took the ten most popular keyword phrases that people googled to get to my site and did the research. I used to charge for the book. Now it’s a free download because it’s a great resource, not a get-rich-quick tool.

KG: Do you plan to write any more books?

JP: Yes, I plan to write many books. Plan in the active sense of the word. Like I said earlier, I have to get these books out of my head or they will keep pestering me. I’m writing the outlines, so my research will go smoother.

KG: Did you self publish or go the tradtional route of submitting your mansucript to various publishers?

JP: That ebook was self-published. I do plan on submitting the manuscripts of my upcoming to the correct publishers.

KG: Which title do you enjoy more author or reviewer? Why?

JP: I like being an author more because I control the creativity. It’s solitary. Writing a book is really a situation of self-discipline. You do it; it gets done.

But being a reviewer is much more fast paced. It’s more fluid. It’s like going to another city or even another country. You get the see your experience through the experiences of others. I hate having to chase authors down to give them free publicity.

KG: What do you say to people who say that reviewers are people looking for free books?

JP: Some people might be. I am. I am not going to pay for a book that you want me to read and write a review on. Just because you sent me a book really is not equal compensation for me to read and write something significant about it. Your book costs $15 and shipping is $5. I put roughly 5 to 8 man hours reading and reviewing. That’s comes out to be $2.50 an hour. Two dollars and fifty cents an hour? My time is worth much more than that, and my relationship with the authors who send me books is much deeper than that.

Getting the book in my hands is as far free goes. I don’t just want your book for free to add to my book shelf. I buy books for that… Once I get you book, I want to read it and know it. I want to gain an experience from it that will make me richer than the $20 I didn’t spend on getting the book. I want to write about it, and I want others to know about it.

Right now, I have about forty to fifty books I haven’t had the chance to read yet. And “yet” is the operative word. I will read each and every book, no matter how long it takes. That’s where the word obsessed came from earlier. I didn’t accept all of those books just to have them. Although I got in over my head, I’m going to read and review each book.

Free is not free.

KG: What makes a review by Joey Pinkney different?

JP: One thing that makes my review different is that I read books from the first page with the copyright information to the order form in the back.

I write about it from the sense of knowing it. I take the time and consideration of using the right words. Sometimes my humor spills out, sometimes my frustrations come through.

Reading and reviewing a book is like the dating stage. My relationship with the book is intense and short. I take it to work. I take it to bed. I take it out of town. (TMI alert!) I take it to the bathroom. Me and the book is “going with eachother”.

I scribble notes. I re-read. I cuss at the books gramatical error. I think of ways I would change it. Once I’m finished, I start writing. I usually can’t stop until I’m finished. That means that the night I start writing the review is the night I finish the review. I’m likely to pull an overnighter until it “feels right” when I read it. If I got to go to work the next day, too bad for me…

If the book came from Urban Book Source (TheUrbanBookSource.com, shout out to Senior Editor Abeena Paige), they will publish my reviews. If the book came from C & B Books Distribution (CBBooksDistribution.com, shout out to Carol Rogers). Plus, the review gets published on three different websites: JoeyPinkney.com, ReppingBeantown.com’s Reviews Section (shout out to Angella) and OneCliqueOnline.com’s Book Reviews section (shout out to Me!ah). Three different websites, the different crowds.

I also post the reviews on Amazon.com for good measure. My thing is, I want as many people to know about the book as possible. I don’t just read the book, write the review and tell the review be fruitful and multiply. I actively seek outlets for the review.

KG: You recently started ” 5 Minutes, 5 Questions” series, what prompted you to start a clever concept such as this?

JP: The “5 Minutes, 5 Questions With…” series really spawned from me being overwhelmed by the number of books sent to me by different authors across the nation. I’ve gotten to a point where I can’t accept anymore.

One day, I looked in my closet and saw all the books that my wife was fussing at me about. I have to take a picture for you to truly understand. I was like, “How am I going to read all of these books?”

I was on MySpace, and Essence Bestseller T. Benson Glover messaged me about sending a book that same day. While I was typing to turn him down, the proverbial light bulb lit up above my head. I asked if he would be down for a mini-interview. It was on from there.

As people asked to send books, I was like, “Sorry, but let’s do this…” I started publishing the interviews in the order that they came to me.

My first interview was published on 08-25-08. During the following September I got the great idea to post them every other day. Man! Talk about overworking myself. That was way too hectic. Along the way, Me!ah and Angella gave me the opportunity to contribute to there websites.

I had to slow down, so in October I tried to publish on every day that was divisible by three (3rd, 6th….30th). It’s still a hectic grind, but it’s so enjoyable. As of the day I’m answering this interview, I have 27 interviews published, and I’m almost booked through December 2008.

Although the questions many times are the same, the answers given by the authors are as different as snowflakes. The “5 Minutes, 5 Questions With…” series gives authors a chance to let the potential reader know who they are and what their books represent.

Reading about the personal story behind the books’ idea or the amount of time it took to complete the books gives it a life beyond the paper and the glue it takes to put it together. The diversity I have in this series is also powerful. Poetry, urban lit, non-fiction, science fiction…

Most of my interviews are of African-American authors. That’s very important to me. If “we” don’t shine light on “us”, who will? That’s why I like to include a picture of the author and the book cover. The author looks like us, our mother’s, our uncles, our neighbors.

KG: What is next for Joey Pinkney?

JP: I’m looking for more outlets for the “5 Minutes, 5 Questions With…” series. I would like to have a column on more websites. I really would like to get a column in a newspaper. If you’re reading this and got some info, go to my website and contact me.

I’m also going to read those books I mentioned one at a time until I finish. That’s very important that I finish what I started.

Hopefully, I’ll find some time to squeeze a book out and get that published, too. Speaking of that, I am going to be published in a book entitled The Soul of a Man: A Triumph of My Soul Anthology (shout out to Elissa Gabrielle/Peace in the Storm Publishing) right before father’s day in 2009. Google it.

Thank you so very much for taking the time to interview me Kisha. Although I gave lengthy answers, they were straight from the heart. Continue reading Kisha Green’s interview of Joey Pinkney for WritersVibe.com