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5 Minutes, 5 Questions With… Allysha Hamber, author of Unloveable Bitch: A Hoe is Born

JoeyPinkney.com Exclusive Interview
5 Minutes, 5 Questions With…
Allysha Hamber, editor of Unloveable Bitch: A Hoe is Born
(CreateSpace)

Meet Dream, a young, bright eyed girl growing up in the slums of St. Louis. Unlike most girls in her neighborhood, Dream has the luxury of growing up with something most of her friends don’t have, a father. But when tragedy strikes her life at the age of eight, Dream’s perfect world comes crashing down around her.

Soon, she finds herself thrown into a life of horror and pain. Forced from the only home she’s ever known, she learns the hard way that the only thing she has of value is her body and the only way she can survive is to use it. With a vicous pimp on her heels and no where to run, Dream is forced to adapt to a life on the streets in one of the worlds most dangerous cities.

Joey Pinkney: Where did you get the idea and inspiration to write Unlovable Bitch?

Allysha Hamber: Unlovable Bitch was the hardest book I’ve written to date because it’s personal. The first six chapters are my life as a child and my own personal trials and tribulations. I wanted to reach women and young girls all over in a way that they could understand. I wanted to let them know they were not alone…

JP: What sets Unlovable Bitch apart from other novels in its genre?

AH: It’s real. It’s spoken from my heart and from my own experiences. I couldn’t bring the real and raw emotion if I hadn’t gone through it. That’s what makes it connect to the readers the raw emotions.

JP: As an author, what are the keys to your success that lead to Unlovable Bitch getting out to the public?

AH: I push it and try to advertise alot on my own. I’m a firm believer in “you get out what you put in.” So whether it’s mass emails or airtime on the radio, I do whatever I can to get my book out there.

JP: As an author, what is your writing process? How long did it take for you to start and finish Unlovable Bitch?

AH: I really don’t have a specific writing process. It comes to me in spurts. When it flows, it flows and I take full advantage of it. When it’s not there, I don’t try to force it because it won’t be genuine. I just go with the flow.

It took me about a month to write Unlovable Bitch once I started and that was because it was inside me for so long. It was yearning to come out.

JP: What’s next for Allysha Hamber?

AH: Unlovable Part II and Mika Avenue. My clothing line, PHEM is schdule for release Spring of 2010, and I’m setting my sights on screen writing The NorthSide Clit into a movie.

More about Allysha Hamber:

Allysha began her writing career behind the walls of a Federal Prison.  It was inside the solitude of the institution, that Allysha began sharing her past of emotional, physical and sexual abuse with the women of the institution.  It was her fellow inmates that both encouraged and inspired Allysha to share her testimony with the world through writing.

Allysha began writing plays of both raw and uncut abuse stories for her fellow inmates to perform.  The reviews were so intense and demanding, in 2002, the Camp Administrator authorized Allysha and an inmate production crew to perform a play for the Warden, staff and their families and outside guests, the first in the facility’s history.

http://www.facebook/allyshahamber
http://www.myspace.com/allysha.hamber
http://www.twitter.com/allyshahamber

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5 Minutes, 5 Questions With… Vanessa Miller, author of Yesterday’s Promise

JoeyPinkney.com Exclusive Interview
5 Minutes, 5 Questions With…
Vanessa Miller, editor of Yesterday’s Promise
(Whitaker House)

Yesterday’s Promise is a Christian romance about Melinda Johnson and Steven Marks. Melinda feels called to the ministry, but Steven doesn’t believe that women should preach. This disagreement between the two causes Steven to break off their engagement.

But now, after ten years, Steven is back in Melinda’s life as the new bishop over her fellowship, and he wants a second chance with Melinda. However, Melinda can never marry a man who doesn’t respect the call of God on her life. To love one another, the two must knock down the walls that separate them.

But can the bishop finally do that for his lady, or will Melinda be forced to leave Omega Christian Church?

Joey Pinkney: Where did you get the idea and inspiration to write Yesterday’s Promise?

Vanessa Miller: I was doing a book signing at the Indiana Black Expo. The lady next to my table was signing copies of her book that talked about the struggle for women to preach. Since the bishop of my church is a woman and we have women preach at my church all the time, I had never thought anything about any struggle that women faced when it came to preaching.

But then a man walked into the room where we were signing our books. He took one look at Pastor Notoshia Howard’s book and started screaming at her. He told her that she had no business trying to preach to men and that women were not allowed to preach. That’s when the idea of Yesterday’s Promise was dropped in my spirit. I wanted to write a book that details the struggles women who have been called by God have to deal with in order to preach the gospel.

JP: What sets Yesterday’s Promise apart from other novels in its genre?

VM: The big difference in this novel is that it has a woman preacher as the main character. To my knowledge this is one of the first Christian romance novels that highlights the ministry and women in it. I hope the readers enjoy the book, but I also want them to get a feel for the struggles the women who have been called to preach deal with.

JP: As an author, what are the keys to your success that lead to Yesterday’s Promise getting out to the public?

VM: The first key to the success of any book is that it is written well, and I hope that the readers that like Yesterday’s Promise feel that it is written well. The next thing an author must do is promote, promote, promote. I spend a lot of time working on ways to promote my books to book clubs, church groups and to the many readers who enjoy Christian fiction.

JP: As an author, what is your writing process? How long did it take for you to start and finish Yesterday’s Promise?

VM: I try to write everyday. I write at least five hours a day. Before I begin writing a book, I spend time outlining it and developing a character sketch. I like to know who my characters are and what makes them tick.

I know authors who edit what they wrote the day before, and then begin writing new pages. But I don’t work that way. I usually write the entire book, then I print the manuscript off and spend time reading and then editing it. I find that when I have spent time away from the story, I can review and edit it with fresher eyes. I turn the manuscript into my editor and then I go through it one more time once I receive my editor’s comments. That’s pretty much it.

JP: What’s next for Vanessa Miller?

VM: I have four books releasing in 2010: Yesterday’s Promise April 2010, Forgiven June 2010, A Love for Tomorrow September 2010, Long Time Coming November 2010.

http://www.vanessamiller.com/
http://www.myspace.com/vmiller1
http://www.facebook.com/vanessamiller01

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Book Review: Real Thoughts by N.S. Ugezene

JoeyPinkney.com Book Review
Real Thoughts
by N.S. Ugezene
(Lulu)
3 out of 5 Stars

I have to admit that when I started reading Real Thoughts by N.S. Ugezene, I was frustrated. Although the main character stayed true to the title by expressing his thoughts and feelings on various topics, I couldn’t  figure out why I should care about his “plight” as a reader. (And I never figured out why people called him Pascal and other times KP.)

Pascal was a twenty-something man surviving in Pamona, CA, the best way he knows how. His mother stayed on his case, his dad made him out to be the ultimate momma’s boy, his step-father didn’t like him and the female friends that he accumulated came and went. He wasn’t too much different than most people at that age in that respect. What piqued my interest was his use of words because I understood the gist but wasn’t used to the way Real Thoughts read.

With a stack of “dirty magazines” to ease the tension created by his string of girlfriends and other females, Pascal stumbles through the typical growing pains of a young man staying at home with his parents while pursuing a college degree and trying to make his money stretch from paltry check to paltry check. His musings on things like people being materialistic, generational gaps in attitudes and proper diet are not ground-breaking, but they show the depths of Pascal’s critical thinking skills.

As I traveled through the pages, the one thing I could gather from Pascal was the fact that he had tons of opinions. What made this journey difficult as a reader was the painstaking detail in which Ugezene plotted Pascal’s day-to-day activities. If Pascal’s thoughts were the meat of the story, his daily routine made Real Thoughts overweight with irrelevant fluff.

His girl problems, money  problems, mall visits and time with his boys annoyed me like  fingernails being scraped across a chalk board. That annoyance slowly  gave way to intrigue. I wanted to know more about his background. I wanted to figure out why I couldn’t easily wrap my mind around Pascal’s experience.

Half way though the book, it hit me. Ugezene, and by extension Pascal, is Nigerian-American, born to Nigerian parents and raised in the United States. From this standpoint, I became intrigued with getting an inside look into a sub-culture of Black America that I hadn’t really put much thought into.

It started to make sense why he “fragranced” himself after showering rather than “putting on cologne”. Pascal’s journey into manhood was framed in a duality. He was an insider and an outsider at the same time: he is a part of the African-American culture, yet he was looked at as being different by his older Nigerian family. Although I was curious to read more about Real Thoughts‘ Nigerian-American angle, I was not enchanted.

As a reviewer, I found myself at the crossroads with Real Thoughts. There was one thing that I simultaneously liked and disliked about this book. Ugezene’s use of Pascal to express thoughts about world events didn’t translate well when framed within Pascal’s mediocre life. Reading about his thoughts and his minute-by-minute twenty-something life was not enjoyable. On the other hand, Pascal’s use of the English language as a Nigerian-American was fascinating in and of itself.

Since Pascal’s life was repetitive, Real Thoughts seemed to end abruptly. It was like I was driving down long road only to fall off a cliff that came out of no where. Real Thoughts never got into a progressive flow, so the chapters could have been placed in any order to achieve the same effect.

I think Real Thoughts would have done better as a book of essays by Ugezene, since it became easy to figure that Pascal’s life closely resembled the author’s. But I also think there is a niche in the making with Ugezene helming a genre for a new generation of Nigerian-American readers that grow up with Hip-Hop and the Internet.

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